Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Kracker, Johann Lucas
The Dispute between St Catherine of Alexandria and the Philosophers

ID: 43917

Kracker, Johann Lucas The Dispute between St Catherine of Alexandria and the Philosophers
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Kracker, Johann Lucas The Dispute between St Catherine of Alexandria and the Philosophers


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Kracker, Johann Lucas

Austrian painter b. 1719, Wien, d. 1779, Eger  Related Paintings of Kracker, Johann Lucas :. | Saint John of Nepomuk | St. Francis of Solano Baptizing Indians | Appearance of the Virgin to St Anthony | The Council in Trident | Taufers |
Related Artists:
Guillaume Voiriot
Guillaume Voiriot (Paris, 1713 - Paris, 30 November 1799) was a French portrait painter. In the years of 1746-1749 Voiriot went, at its own expense, to Italy. After his return he became a member of the painters and sculptors guild at Academie de Saint-Luc. In the years 1759 to 1771 he regularly exhibited portraits of his contemporaries in the Paris Salon. He portrayed family members, scientists, writers, actors and musicians.
Joseph-Siffred Duplessis
1725-1802 French Joseph Siffred Duplessis Locations French painter. He trained with his father, an amateur painter, and then with Joseph-Gabriel Imbert (1666-1749), a pupil of Charles Le Brun. In 1744 he went to Rome and worked with Pierre Subleyras. He remained there until at least 1747 and possibly until the death of his master in 1749. He must have learnt portrait painting in Rome, but he also painted landscapes, because Joseph Vernet advised him to specialize in this genre.
Nash, Paul
English, 1889-1946 Painter, printmaker, designer, writer and photographer. Although he briefly attended the Slade School, London, in 1910, he was essentially self-taught. His first one-man show was held in 1912 at the Carfax Gallery, London, where he showed a set of shadowy landscapes and imaginative drawings that look back to the Pre-Raphaelites and late 19th-century illustration. Between 1910 and 1914 he paid little attention to Post-Impressionism and the modern movements in London.






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